Aisha received not so favourable review

Aisha | Pretty picture, bad film

Sonam kapoor and film whole star cast were coming in ahmedabad at that realise date.... she must be confident about her film sucees bt baby,,,, i think u r forget..... its ur 3rd flop film ....dear.... so dont be over confident.... u must read my film review and than watch my video..

Aisha has the cosmetic trappings of a modern romcom or chick flick, but is painfully bereft of good cinematic moments and style

Lanky, long-haired and perfectly dressed Aisha is a rich Kapoor princess from south Delhi. She shops at DLF Emporio mall, attends polo matches, gripes and whimpers most of her waking life and adds a prefix to the name of everyone who is not her: bechari or bechara. The ultimate antithesis of her, in her own words, would be “bechari middle class”

The girl also has a pet project: transforming Shefali, a Haryanvi bechari from Bahadurgarh, into a style diva and finding her a husband. So far, great chick-flick heroine—confused, arrogant for no real reason, a slave to fashion, clueless about what she wants but clued in to what her friends want, and cocooned in her own little couture clique.

Loosely based on the Jane Austen novel Emma, the most filmed of all Austen novels, Aisha is directed by Rajshree Ojha and produced by Rhea Kapoor under the Anil Kapoor Films banner. Sonam Kapoor, who plays the lead role, has everything at her command then although, presumably, not the writer and director. But she is such a poor actor, unable to dominate or shine in even a single scene in the film, that Alicia Silverstone, who played the lead role in Clueless (1995), the Hollywood film of which Aisha is a direct adaptation, seems like a thespian.

sonam kapoor was in ahmedabad for her film premier show.... She is very confident about her 1 more flop film bt dear sonam.... dont u think so..... satyajit rey or gurudutt ke sapne dekhne se koi film nahi hit ho jati.......... must read my review and then watch my story video....

The comparison is fair. The two films are similar in many ways. Like most Austen heroines, Emma has an unbridled energy and arrogance that makes her memorable. Silverstone did a superb act as a sassy, teenage, know-it-all in Clueless. Kapoor fails to evoke even a fraction of the original character’s zest. Her dialogue delivery, diction, expressions and mannerisms are flat and vanilla-coated. In treatment, Aisha tries to be Sex and the City-meets-Clueless, but Aisha has none of the wit and humour that these two films have.

The real star of Aisha is its supporting cast. Not the writer, or the director, or even the technicians (the cinematography by Mexican director of photography Diego Rodriguez is banal. For example, some scenes in Rishikesh, where the gang goes river rafting, are extremely ordinarily filmed). Sahukar and Dubey are into their roles and even without a superb screenplay to depend on, lend distinctive stamps to their characters.